Category Archives: The Scene

Reviews

Deathpit 77

the bloody beetroots death crew 77 review IMG00197 20100423 2347 1024x768 Deathpit 77

I’ve been to Ozzfest, Slayer & Slipknot concerts and I’ve never had any problem lasting the whole show, or at least a whole set in the front, buried among the many sweaty, swaying bodies. However, at the Beetroots performance in San Diego, House Of Blues..I found myself for the first time ever having to TAP OUT! The crowd was so horny for the roots…and with their Deathcrew 77 LIVE set…who couldn’t be.

That night we were all victim to the energy each song carried and when every song echoed throughout the venue, we were all puppets on a string, forced to jump, chant and repeat. Warp 1977; 1 , 2, 3   MOTHER FUCKERS!!!!!!!

The Bloody Beetroots - Warp 1977

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Bob Rifo is a spider. There is no other way to describe him. Skinny body, 1977 etched into his chest..arms outstretched across the keys playing the song, with the guitar on his back…he swings the guitar around and plays along to the song, then he begins to sing into the microphone. While Tommy Tea up at the controls playing along, jumping off the stage and providing the dying fans with bottles of water. And lets not forget the drummer, who kept up with all the electronic madness playing on a real borrowed House of Blues set.

If one was ever curious what it is like to be in the recording studio with the roots when they make their music..all of us got just a taste and feeling that night at the House of Blues and it was mind NUMBING!  And thank god San Diego had the balls to respond to it *(the last show I had watched in San Diego was more commercial than a fucking superbowl sunday…people standing around with champagne glasses looking pretty and snorting coke behind the scenes)..give me a break…this place had literally had BLOOD and when I exited the venue there were cops…girls in handcuffs and more than enough noise to make me more satisfied than an electric pig plugged into the biggest power outlet! I felt like the audience in Rome exiting the Collesium, and I hope those Italian Basterds, the mother fucking Bloody Beetroots, felt like glorified gladiators causing a great bloodbath of music….and it was only Friday for the roots, they still went on to play two more shows back to back in Los Angeles at HARD with great success!

*Deth Hertz, what a pleasure it was to finally meet the two men behind the music. More than awesome set and glad to see the boys got a fair amount of time up on stage. Opening up with the doors to the venue and wrapping up right before the start of Shark Attack’s LIVE set. Which opened with ‘Second in Line at the Used Needle Exchange’ followed by ‘Northern City Riot’ two songs I’ve only heard digitally and never seen physically strewn out before me with live instruments.

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PeaceTreaty : I Don’t Think You Understand

peacetreaty peacetreaty picture PeaceTreaty : I Dont Think You Understand

The Treaty has been Enacted

peacetreaty peacetreaty picture PeaceTreaty : I Dont Think You Understand
Hot off of weeks of Kissy Sellout dropping PeaceTreaty track after PeaceTreaty track, the boys are hitting the clubs with their tunes. They’ve been mad busy in the studio creating amazing sounds that hit hard, and now they’ve begun to pound your ears with bass, siren and true to form Dutch inspired awesomeness.

Their Funk in Deep EP will be released May 3rd, with two tracks, and they’ve hinted at another coming out in the near future. So what does Boppernation do with such an amazing artist? We interview them and ask them to do our next Bopcast, that’s what.

So Boppers, I bring to you, the PeaceTreaty interview. Look for the Bopcast soon and listen to the Treaty DROP!

Bn:
First, guys, we really want to thank you for taking some time to talk with us. We’ve really been impressed with the productions you’ve been putting out!

PT:
- Sam: No problem, man. We’re really glad for all the support Boppernation has been giving us.
- Josh: Totally.

Bn:
As far as everyone knows, Josh, you started PeaceTreaty. How did you end up with the name and how did you two get together?

PT:
- Josh: Well, I started out with a track called Cheaters. See, I used to be engaged, and then that ended because I fucked that up. And a few other relationships. So, I did that Cheaters track. And then, once I got the hang of it, I started doing all this production stuff. So one day Sam and I were at Dim Mak and we were like ‘Why don’t we get together and work from there?’ so that’s how it started.

Bn:
So, we’ve been seeing your name all over the place, recently. But it’s never spelled quite the same. Which is it… with or without the space?

PT:
- Sam: *laughs* No space, two uppercases. It’s been difficult, especially since on Twitter we have that underscore in it.

Bn:
Speaking of that, what about your Myspace links to that PeaceTreatyUp?

PT:
- Sam: That was our original link, that Josh had started. It didn’t really work for us, so we changed it. We couldn’t get PeaceTreaty though, because some girl already had it. Maybe she’d be nice enough to let it go for us? *laugh*

Bn:
You guys have put out a great set of tracks. What’s your favorite gear in the studio? Or what about when you’re playing out? Is it different?

PT:
- Sam: My monitors. *laughs* I dunno, we use it all, man!
- Josh: I dunno, man. My mini USB. Without that I can’t do nothing!
- Sam: When we’re playing out, we gotta have Pioneer CDJ 1000s. Fuck Serato!
- Josh: Yeah!

Bn:
Don’t you use Ableton in the studio?

PT:
- Josh: Yeah. Sam uses Ableton, I’m on FL Studio.

Bn:
FL Studio? Have you always used that?

PT:
- Josh: Yeah, all the tracks are done so far in FL Studio. I just learned it really well, that’s all. I know what to do in Ableton and Logic, too. Logic, though, is where we want to go. There’s no walls. In FL Studio there’s walls in automation, global automation. Single channelling VSTs and plugins on one channel, it’s kind of hectic, because globally you can’t tweak it how you want to, like you can in Logic.  Laidback Luke even states some of the dilemmas in FL Studio. You can only go so far. It’s frowned upon deeply in the production side, so whatever.

Bn:
Well your productions have been fantastic. What about playing out? I know you were both playing solo before doing PeaceTreaty. How is it different?

PT:
- Sam: Well, there’s a lot you can do with two people you can’t do with one. I mean, you only have two hands. Depends what you can do on the mixer and the CDJ at the same time. So..
- Josh: Effects would be the biggest thing.
- Sam: Yeah… or the scratching. When you’re one person, it’s harder to worry about beat matching and effects.
- Josh: Effects.
- Sam: When you’re one person you can’t worry about beat matching… can’t throw in a cool loop and start tweaking it and throw in an effect too, ya know?
- Josh: I scratch…
- Sam: He does a little bit. He’s the looper-master…
- Josh: Well, he’s the beat master. *laugh*
- Sam: We each have our strengths, so it works well, to be together, I think.

Bn:
What about all the Kissy Sellout stuff that’s going on? He’s been giving you mad props and plays…

PT:
- Sam: He likes PeaceTreaty! *laugh*

Bn:
I mean, you’ve gotta have fans over there in the UK. Are you planning on making it over there?

PT:
- Sam: Well, yeah we had a blog over there that did a write up on us and has a sponsorship at a club. So theyr’e trying to set up a mini-tour with a bunch of other promoters in the UK in September. Play a different club every night, between England and Scotland. But Kissy has been a huge supporter. In fact, we’re doing a remix for his label, the new Hot Pink Delorean track that actually just sent for mastering today.

Bn:
And when can we expect that to be released?

PT:
-Sam: That’s up to Kissy, I’m not really sure… They were pretty adamant about the deadline.. *laugh* so I assume fairly soon
- Josh: We actually remixed that song like 5 or 6 times, up until we finally got some feedback from Hot Pink Delorean, going back and forth, to where they were like, pretty involved.
- Sam: Yeah, we had a version we were happy with and Kissy talked to Hot Pink, and they had a few suggestions and things they wanted to see, so we went back and did some of that stuff. I think what we came up with is pretty great.
- Josh: You can, like, levy off them.. it balances…
- Sam: If someone was remixing one of our songs, I would want to approve of what they did. I’m not going to let someone put out a remix of one of our songs that we hate. I don’t see the point of that. We were more than willing to hear what they had to say.

Bn:
What about any of the other bootlegs that you’ve done? Have any of the other artists given you flak for them?

PT:
- Sam: Eeehhhhhh…
- Josh: Uuhhh…
- Sam: Well, Bart B More loved the one that we did. *laugh* There’s one artist, that shall remain nameless, that objected to a certain aspect of it, but, we don’t need to go into that. It wasn’t the track that he objected to, it was more the fact that we called it a remix, and not a bootleg, because we used samples…
- Josh: And then that shit gets played out, and Kissy plays and tweeted it out… so, I mean it’s that way…
- Sam: Some people care, some people don’t. I mean, we apologized. And we have that Laidback Luke bootleg, which we’ve actually done 2 different versions of also, and we’re waiting for feedback from Luke on that. He knows that we did it, he’s talked to us about it, he’s just sifting through a pile of 5 or 6 hundred other promos that people have sent him. He’s really cool, cuz he listens to almost everything. He’s one of the few people that will literally everything that everyone submits him. We’re just waiting for him to get to ours in the stack. He’s eager to listen to it.

Bn:
Well, people have been playing your tracks out. Is there anyone you really want to have play your track?

PT:
- Sam: Oh, god… well, we heard a rumor that Wolfgang Gartner dropped one of our tracks at Coachella, but we have yet to be able to verify that? Friends of ours who were there, who said he did, were in various states of intoxication, so we’re not sure we can really trust whether or not it was actual. *laughs*
- Josh: That would be pretty massive though.
- Sam: Yeah that would be pretty great. But we’ve had some pretty cool people drop them. Hot Pink dropped our New Disco Villains remix, and they liked that a lot. Swedish Egil’s dropped our tracks, Hyphy Crunk’s dropped our tracks. We get hit up all the time by people saying ‘Oh, we used your track in our podcast’ and stuff. Mustard Pimp used two of our tracks on their recent mixtapes that they put out. So that’s a big supporter right there. And then, of course, there’s Kissy. I mean, we’ve had our tracks played almost every week on his show for the last, you know, 5 or 6 weeks.

Bn:
Alright, what about collaborations? You’ve done a lot of remixing. Do you have any collaborations happening?

PT:
- Sam: Well, we have the EP coming out, with the two originals that’s being mastered right now. Comes out in May, from Ho-Ju Records in Australia, called the Funk in Deep EP. And the tracks are Funk in the Ganja. Meditation, inspiration, creativity if you will. And the other track is called Deeper Insider and it’s kind of our take on the classic Deep Inside by Harddrive. And that’s the one we did with DiskJoSlim. It’s sort of our modern Dutch take on that classic, so…

Bn:
Why did you guys choose those two tracks?

PT:
- Sam: The ganja track, you know, we just wanted to write something about something we love.

Bn:
*laugh* Wasn’t that what the 420 song was for?

PT:
- Sam: *laugh* Yeah, but that was more as a DJ tool, something for fun…
- Josh: Yeah.. *laugh* that was from Sam and I sitting in the car and we heard something on the radio and he goes ‘This would be a cool one to do.’ and ‘Aw, yeah, we’ll try it.’ Next thing we know, we’re throwing in all these different sounds from different tracks..
- Sam: We got a Sublime sample in there, Peter Tosh..
- Josh: And then the bad battery. The laptop battery less.. So we hit the cord halfway through what we were doing, and it went out.
- Sam: We lost everything.
- Josh: We had to recreate the whole thing.
- Sam: But it came out better than when it started, so it worked out.
- Josh: Yeah, definitely.
- Sam: Anyway, so we have a couple other original tracks out now. One on Beatport, actually, called Cheaters that came out on Not Small Records… and Silly Boppers This is a Killer is a track we have on our Soundcloud…

Bn:
Don’t worry, we didn’t take any offense. *laugh*

PT:
- Sam: *laugh* Yeah, well… We also did another track with DiskJoSlim, which was a bootleg we released of French Fries. The track is Senta. And then, our next collaboration is probably gonna be another EP of original tracks, probably 2, that we’re gonna hope to get Whiskey Pete to do vocals on both of them. That one is going to kind of be inspired by … well, I don’t want to give too much away, but inspired by a certain gendre of music, from LA, from the 90s. But what genre of music that is, will remain a secret till it comes out. If it turns out the way we’re hoping it will, it’s going to be unlike anything else that anybody else has ever really done.

Bn:
Is there anyone you really want to collaborate with?

PT:
- Josh: Actually yeah, I hit up the Squatters, they’re on Kissy’s label. Dem Slackers, I’ve talked to them. They’re all like young funny producers coming up on Kissy’s label. So we’re doing those guys, like French Fries. They’re on that level, and we want to get on their level, and also want to help ‘em out.. do a remix of somebody, like the Mowgli one.
- Sam: Well, Pete definitely, because he’s a good friend, so that’s why we have that one on the books. Other than that, we haven’t really talked to a lot of people about collaborating. *laugh* We’ve had a lot of people hitting us up, asking if we wanna do tracks, but we’ve been so busy right now with all these other remixes we’ve been doing that haven’t been able to say yes to any of them, yet. But we’ve kinda of been collaborating with this guy, Kissed With a Noise, who’s from Canada, and we played a remix tonight, of a track we remixed for him. An original he did, with a Young Buck vocal. He reached out to us and asked did we want to remix it for an EP package, and it’s gonna include remixes from us, Disco Villains, Skeet Skeet, Marletta and B Rich, so that’s all going to come out and it will be free.

Bn:
I heard about a remix for Disco Villains. You tweeted about that.

PT:
- Sam: We finished a remix of Disco Villains’ Crickets and it’s been getting a lot of good response. They’re currently looking for a label for that release, so we’re kind of just waiting along with them until they find someone.

Bn:
Rumor has it you have some Big Name Artist that you’re doing something for?

PT:
- Sam: Ah, yes. Well, he’s actually … well, that’s got to stay a secret for now.

Bn:
So what new gigs are coming up for PeaceTreaty?

PT:
- Sam: Well we’re doing Mode 7 with DiskJo Slim, our good friend and also Colors and Sir Charles on May 7th, at the Glass House in Pomona, CA. Santa Cruz at a club called Motiv, on May 1st. Josh is playing at Stanford on April 28th, yeah, next Wednesday. So that’ll be half of PeaceTreaty. And we’re doing a big rave at the end of May, called Nu Disko, with DJ Bam Bam, Paul Ahi, Cold Blank and a bunch of other local DJs. We’ll also be doing the House of Blues in San Diego with Designer Drugs in July. And hopefully the UK in September and in Canada with Dmitri Vegas and Like Mike, both soon. Lastly we’re also doing another gig with the 1107 folks, who put on Dance, the Sunday of Memorial Day Weekend, at the Glass House again, with Paparazzi and Religion.

-

Fantastic guys! Thanks so much for talking with us!

PeaceTreaty tracks are all over the internet, so here’s just a few of the awesomeness… And don’t forget to look for their new release EP, and on Beatport for their already released tracks!

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Ben Oprtsu - Jungle Game (PeaceTreaty Tecate & Bourbon Remix)

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Mowgli - Nu Skool (PeaceTreaty Yellow Fever Bootleg)

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PeaceTreaty
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PeaceTreaty
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Nazz ‘The Hitmaker’ 2010 release

nazz the hitmaker twisted youth interview 1 1024x1024 Nazz The Hitmaker 2010 release
Nazz - We Don't Stop ft. Becci (Mr. Vega remix)
So you think you know NAZZ..the Hit Maker…well think again…with each track on this album you find yourself DAZED and CONFUSED….Kurt Cobain is alive…brings me back to my youthful days of strumming my beatup electric guitar…humming silently cobain lyrics…but of course it adds that Electronic TOUCH and that KICK we all love…not to mention a collaboration with some HUGE artist we LOVE and featured on Bopper Nation…such as Mr. Vega and the huge track ‘We Don’t Stop’ featuring the one and only Becci.
Nazz - Radio Revolt!
If Twisted Youth isn’t enough to get you situated we went behind then scenes with the artist himself. And as usual…thanks to the massive support and love we are dropping THREE FREE tracks of our choosing…so lets rock it out with ‘Kurt Cobain is Alive’ ‘We Don’t Stop’ and ‘Radio Revolt!’ the rest requires YOUR HUNTING. SUPPORT THE ARTIST, SUPPORT THE LOVE and get hit with the Electro Houseeeee from the Twisted Youth.
Nazz - Kurt Cobain is Alive
nazz the hitmaker twisted youth interview 2 Nazz The Hitmaker 2010 release
Bn: How did you get involved in the music scene and who’s your biggest influence?

I’ve always been around music my whole life! Having the traditional “black family” growing up, I would always hear the great grooves by Marvin Gaye, Earth Wind & Fire, and Chaka Khan at all the family functions. It was drilled into me at an early age! Then I hit my teenage years. I wanted to know how music was created. It was naturally in me. I remember I got this little Yamaha keyboard one Christmas and this kicked off my producing skills early on. I stayed up hours practicing, learning notes and chords, which instruments sounded like what. I learned best from studying my favorite producers at the time. The more I learned, the more my taste for music grew. I always loved music that brought energy and attitude! The movements and feel of Rock, Funk, & Disco were always appealing. My love of Electronic based music began when I discovered such acts as Kraftwerk, Depeche Mode, The Human League etc. I dug the futuristic un-conventional sounds they would produce. I try to transfer the same elements into today’s Electronic music!

Bn: What was your general direction/aim in creating this latest release ‘Twisted Youth’?

Certain Electro has a real sense of disorder and rebellion! It’s the new punk rock! With experiencing great shows and festivals within the past few years, I saw how kids would react and just go crazy over the energy the music brought. You can’t experience it until your in the center of 5,000 people and your all collectively jumping and wilding out too a Daft Punk track! That’s when I discovered “damn, this is what I want to do!” So Coin the term “Twisted Youth”. This is a reflection of our generation. Vigor, rage, protest and excitement! This also influenced my album artwork and mascot “The infamous Chihuahua with a red Mohawk”, music that just don’t’ give a F*! That’s why I tried to chose track names that described that attitude, “Radio Revolt”, “Detroit Riot Rock” “Driving While Intoxicated” and so on. I wanted to create a certain mood and atmosphere. I made this for all of those kids! This is to be played live and mixed into DJ sets. As Liam Howlett, (The Prodigy) put it, “Your little laptop speakers are cool, but this is intended to be banged!”

Bn:I noticed you got the ol’ Mr Vega involved, very awesome.
How did this collaboration come about and can we see more!?

I first got wind of Mr. Vega while I was working with a Finnish female pop vocalist named Kississing on a project called “Vodka N’ Cran” back in 2007. Me and her would create a sound I would call “80’s dirty disco”, which you could probably find floating around the net somewhere. I heard a mix of a track Mr. Vega created with her. I thought he had great music then. When I first started this project the first song I did was “We Don’t stop” featuring. Becci, who is an Australian female rapper that I collaborated with on other projects, look her up! I first sent her the instrumental, which starts with a bass driven, sexy moan- filled arpeggio synth lead. The song was complete, but I still had the dry vocal parts and reached out to Mr. Vega for a more “housey” feel, versus the more underground clubbish sound the song originally had. He was familiar with some of my work with kississings, so we made it happen!

Bn: Strong parts of the album? Any weak points that you wish to go back and re-pave?

Making music is all about feeling good, having fun and being inspired when you make it. I aimed for that when putting together “Twisted Youth”. I didn’t want to get too technical or focus on any particular part or song too much. Didn’t want to over analysis it. Ask any artists, there’s always a part in which they’d wish to go “re-do”. I can honestly say I had fun doing it and I feel good about it. I never obsess over creating music or how others will judge it. This could stop your creative flow! “We Don’t Stop”

Bn: Why don’t you tell us a bit more about yourself.
-Profession if any outside of creating music. Always fun if you’re stripping or selling dope on the side..we still like the music and that’s what is real.

No Stripping or selling dope here! Although strip clubs are great inspiration! I currently operate two recording studio’s with my brother. I am a studio tech nerd! Recording other artist music from hip-hop, gospel, radio commercials, and voiceovers Helps more learn way more then just creating the music I personally like. I attended FullSail (Media arts school) a few years ago, which I learned a lot about audio engineering, production etc. as well as the business of music. I also DJ clubs. Looking too tour this summer! Book me in your town!

Bn: Do you play any instruments. How many? Did you take lessons/ teach yourself, the works.

I play keyboards pretty good, as well as drums and guitar, which I sampled and processed certain grunge riffs on “Kurt Kobain is alive”. I always try not too limit myself and learn all I can. I’ll put on some Jimi Hendrix or Prince and try to groove along with it!

Bn: Nazz ‘The Hitmaker’ how did you come up with your name/what inspired it.

Producing for friends and artist when I first started. They would say “That kid has some “Nasty” beats! Also, Nazz was a term used on David Bowies “Ziggy Stardust” describing a hip magnetic being.

Bn: what’s your take on the independent artist? Meaning, the difficulties some have spoken about with Beatport, internet distribution, labels, management… what’s your experience? has it been good? difficult? easy?

I’ve learned it’s becoming more about hype, timing and support and less about quality of music, which is really just an opinion. There are pros and cons with the direction of “getting your music out” these days. For one the Internet is over saturated with music. This even makes giving it away for free hard for some artist, let alone selling it. But the Internet is always a great tool too niche-market your audience and really learn what people want. It also opens up a whole new world for people too discover their personal likes in music, not just what MTV or your local radio station shoves down your throat! That’s why Blog’s, Youtube and social networking sites are so great! Wink* BOPPERNATION!  My advice would be too just flood as many relevant sites on the net as possible and leave your cyber mark! With enough buzz, distributors like Beatport, Traxsouce and Juno download will contact you to distribute your music. The key is the make them come to you! Also, because of the net, touring and live shows has risen. Altho

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Angel Alanis : Freedom Series Vol. 1+2

angel alanis freedom series vol 1 2 aa fs header1 Angel Alanis : Freedom Series Vol. 1+2

angel alanis freedom series vol 1 2 aa fs right Angel Alanis : Freedom Series Vol. 1+2Chalk it Up… Work it Out…

We’ve highlighted Angel before, and it’s time to highlight him again, as he’s released a fantastic collection of beaty tunes, all available to the masses for free!  Angel never disappoints, with his glitchy, fun, squeaky clean beats, fast and furious tempos and interminable stylings.

As we’ve mentioned before, he’s collaborated with DJ Rush, Colette, Sinead O’Conner, Greenskeepers, Julia Fordham, Robbie Rivera, Pole Folder as well as Felix da Housecat, so he’s in excellent company. He is a true bopper. And in keeping to his musical roots, he makes music he loves and that he wants others to hear.

Lately, he’s been busy with his new M-too label, focusing on minimal techno and house, and working alongside DJ Pierre and the Afro Acid team on Pierre’s solo album. But that hasn’t stopped him from putting together an amazing set of tunes for these albums.

Freedom Series Vol. 1

angel alanis freedom series vol 1 2 aa fs cover Angel Alanis : Freedom Series Vol. 1+2

01. Good Old Days – Chicago
02. Get On Down
03. Let’s Dance
04. Dig This
05. Deputy Power
06. Frag Grenade
07. Like That
08. Chitown
09. Turn It Out
10. Chunky Soup
11. Majik (Unreleased)

Bandcamp

He’s a master of the two and three word song titles, each name seemingly simple, yet each one also offering up only a hint as to what the song might be about. While listening to the album, you continually think back to the title, and can immediately visualize what Angel is trying to musically explain. Each track has a very different feel, yet you can tell the minimal styling, and they are able to deliver a very rich new take, but with that old school techno break you remember.

He drives the beat hard! Makes the tempo fast… and he forces you to listen to the transition of each and every song. The amazingly precise technical aspects of the songs aside, they are extremely mixable tracks, even in a set that wouldn’t necessarily know it.  Anytime you drop one of these in, you’re certain to get the crowd dancing…

And yes, you’re right. Let’s Dance is a take on Bowie. If you want a SOLID David Bowie remix, this is the track for you. Fantastic! Grindy! Heavy! Nice one, Angel!

Notables
Get On Down
Dig This
Work It Out

Freedom Series Vol. 2

angel alanis freedom series vol 1 2 freedom2a400sm Angel Alanis : Freedom Series Vol. 1+2

01. Harvey Mckay – Tribal
02. Angel Alanis & Cpen – Alright (Alan Barratt Delicate Dub Remix)
03. Jhon Doe & M.N.L – Ak47
04. Angel Alanis – Angel Alanis vs Jet Set Groove & NIN “God Sent”
05. Angel Alanis – Resolutions (Punisher Remix)
06. Adam Jay – Come To The Tone
07. Joe Irwin – Punch Card
08. 10,000 Watts VS Dust N Haze – Pendulum (Mustafa Avdic & Matt Rissi Remix)
09. Kaufmann und Ferdinand – I Am Soooo Mad
10. Angel Alanis – Buggin feat. Harrison Crump
11. Submerge – The Drive
12. Angel Alanis – Kasper Da Ghost

Bandcamp

For Volume two, Angel collects songs which have either had limited release or are completely unreleased, as of yet. The feeling of the album, while musically across the board, keeps to the beats and the essence of what Angel’s music is about. Driving bassline, glitchy effects, masterful vocal drops and an unending push to the next step, next break, next rise. These tunes never let you relax, while still giving you some breathing room. It’s an amazing collection of artists from Angel’s personal and business stash.

Being a personal NIN and Trent fanboy, I was excited to hear the Angel Alanis take on God Given. Definitely not disappointed at all. Trent never sounded so good.

Notables
Jhon Doe & M.N.L – Ak47
Adam Jay – Come to the Tone
Submerge – The Drive

As always, for our loyal boppers, we have some unreleased exclusive tracks to share! Cage Me In, both Original and Tribal Mixes are amazing, as Renee’s vocals are ethereal and beautiful, all over very different bassy synths. The remix title “Tribal” fits perfectly. Too Bad So Sad, is an epic tune, giving you some longform rises and driving, hart hitting noisiness. Make sure you turn up those speakers!

Angel Alanis feat. Renee - Cage Me In (Original) Angel Alanis feat. Renee - Cage Me In (Tribal Rework) Angel Alanis - Too Bad So Sad

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Make sure you check out both albums, join his fanbridge, and buy some of his released tracks. Let’s keep this man making music! He truly is keeping to his core love of sound, and doing it spendidly…

And if you join his fanbridge, you never know the types of secret things he might send out…?

Fanbridge | Beatport | Myspace | Facebook | Twitter

And just for fun, here’s Dave Clarke dropping Angel’s song Xcite Bike (both a personal favorite old skool NES game, and Angel Alanis track) at I Love Techno 2008.

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The Young Punx – Mashpop & Punkstep [Review]

the young punx mashpop punkstep review mashpop punkstep packshot The Young Punx   Mashpop & Punkstep [Review]The second album by The Young Punx, ‘Mashpop & Punkstep,’ brings music to life. And this living, breathing being, capable of crossing boundaries and incapable of being confined to walls of any one box is music. And The Young Punx are the vision.

“The only act that would open an album with a drum and bass, heavy metal, pop and Cuban track ‘You, You, You’ and make it enjoyable and accessible.” – (read more + FULL album)

But…before we continue further on this pattern of splicing genres, let me just give way to their surprise. This pattern is a big part of their whole album: Track after track of Mashed up music, with the punk mentality of breaking barriers and riding outside of the lines. And who are we but fools for trying to label each track as a multi-layered genre crossing animal, when what we are experiencing is music as a whole, free from the chains of conformity.

But still paving respect to all things Music Theory, and giving the listeners that Pop.

Catchy vocals, ‘Sugar Candy’ ‘Super Nova, Super Nova’ light the way with almost too familiar titles ‘Juice and Gin’ but it’s nothing you would expect and certainly far from anything you’ve heard before. The Young Punx are delivering everything good about music and doing it with more than awesome drum and bass breaks in between the disco, guitar riffs and vocal journeys at least for one song, then another breaks down with a guitar solo!

Judging from the more than high and fun feeling we get from the music, one can assume the Young Punx made sure to have fun and let loose while composing this album at least I find it hard to imagine any different. But as much as the Punx let loose, their mastery of music is displayed in their power to BRING it back and keep things in an awesome awe of Equilibrium. Take the the track, ‘O Mio Babbino Caro,’ suddenly the hyper fast-paced beats are replaced with a romantic opera giving us all a chance to catch our breath before we return to the get down and the dirty, with ‘Like Dat.’

the young punx mashpop punkstep review halNathSiComp4000 1024x682 The Young Punx   Mashpop & Punkstep [Review]

.:Q & A:.

So much talent in The Young Punx, from the music created to every face behind the curtain. This latest release is not only a display of artistic talent, but a full on demonstration of music, free from the chains of a single genre.

BN: On the Album. Starting with the track, ‘You, You, You’ how does one keep a song together, in key and on beat, with so many different styles of music?

I think this is pretty easy really because the tracks tend to grow out of realising the hidden similarities between different types of music. The track You You You includes elements of Heavy Metal, Pop, Drum and Bass and Cuban Timba but the beauty of if it is that it isn’t really difficult to put them together. They actually all have very similar musical pulses running behind them and they sit together very happily. What stops people putting these sounds together is the cultural tribes we make up, saying “I’m into this sound, but not that sound”. The music itself WANTS to mix together and move without walls.

BN: And do you intend on putting all those ‘genres’ in the music or is it just the way it comes out?

When it comes to making the music it is partly just the way it comes out. I have a broad background that spans leading an orchestra, playing drums in a jazz band, piano in a Cuban band, playing bass with Dizzee Rascal, and DJing at Pacha, Eden, Privilege, Ministry of Sound, Fabric etc. When I make a track its always painful to close the doors to any of these different influences. And since the mash up scene took off in the early 2000s, people have taken in interest in the sound clashes that happen when you put together 2 things that were never EXPECTED to be put together. I do however like finding ways of getting unusual performances out of people by deliberately putting them in a new environment. What happens when you take a rock guitar player and tell him to play on a Drum and Bass record? What happens when you put some classically trained choirboys on the same record as a rapper from a tough estate? Its a mischievous approach that can deliver surprising results.

BN: Are you completely satisfied with the way it [Mashpop & Punkstep] turned out?

Well I’m a pretty happy with it, but an artist is always wanting to move forward onto the next thing, so what I am really into at the moment is the music I am doing now that will be released later this year, not the music I did last year that is being released now! That said, I hadn’t listened to the album since we finished it, until this week when we launched the album, and after the rest it is enjoyable to hear again.

BN: What was the main direction/goal/aim in creating this album. What did The Young Punx want ‘Mashpop & Punkstep’ to be?

It started off as a random collection of tracks that seemed to have no connection. You couldn’t even recognise them as the same artist. But as the songs came together over time a bigger picture seemed to emerge. We had all the track names on post-it notes on the wall, and we kept moving them into different collections and different orders.

Eventually a certain set of them seemed to add up in a way that made sense to us as telling some kind of story, in which we have a love of all things musical, but have a love / hate relationship with clubland and the dance music ‘scene’.

Its definitely designed to be heard as a whole album, from start to end, as 45 minutes of music that takes you on a specific journey. Though this is very out of fashion these days when people just download single mp3s etc.

We noticed a great deal of support from other artist, in early on remixes, not to mention those who may have been a part of the actual production.

A lot of the tracks on the album are kind of 50% club mixes. They are inspired by dance music, but aren’t 100% for the club (will it depends on the club!). Therefore an important part of making any track for us is to get a second version of the track made immediately that is 100% club friendly so we can DJ it. We usually A&R 100% based who WE want to DJ and so before the album was released we invited our favourite producers like Riva Starr, Black Noise, Gramophonedzie, Shinichi Osawa, Phonat and Shir Khan to make club versions of the tracks for us.

BN: Very strong support group, I even noticed a Shinichi Osawa remix, were artist approached to participate or was it something the artist themselves requested to do?

It varies, but its basically us inviting our favourite people to create their own takes on the tracks.

.:On the Punx:.
BN: How did this talented group of artist get together?

Well it started as myself and Cameron Saunders working as the classic DJ  / producer partnership making bedroom dance music productions. But over time it has slowly grown. First we needed singers for our original music. Then we needed to perform live so we got a band together. Then we wanted more variety of sounds so we started to collaborate with more vocalists and producers. It’s like a wagon rolling down the road that more and people keep climbing on to over time, or hopping off when they have done the bit of the journey that’s right for them.

BN: The Young Punx, a physical trio of artist, a symbol for music as a Genre-less and free spirit, or ??  (abstract question, run with it rebel child)

Its very hard to say who is and isn’t in The Young Punx because we are a loose gang working together on a specific project with its own identity. However we find the ‘spirit’ of the project is best represented by the trio of me (Hal Ritson), Nathan Taylor and Simon Bettison.

I come from a ‘traditional’ music background – playing lots of instruments etc. Nathan has a DJ background in underground club music. And Simon (our drummer) is a bit of joker and entertainer.

Between the 3 of our different personalities it kind of makes a good metaphor for what the act is about : We aim to combine real high quality traditional music content, with inspiration from the sounds of the clubs, with a good time, fun party atmosphere.

You can hear this coming through when the 3 of us present our regular podcast. Check it out here:

http://www.theyoungpunx.com/podcast/

Find out more about the album Mashpop and Punkstep here:
http://www.theyoungpunx.com/site/about/mashpop-and-punkstep/

Thank you very much for your time! We really appreciated the answers and gladly support the release of the new album, which again is available for listening here: [ Mashpop & Punkstep ]

Be sure to purchase the album as well:  iTunes | Amazon: .COM | CO.UK

And enjoy these gifted remixes!

The Young Punx - Guice and Jin (Riva Starr remix) The Young Punx - RockStar (Understand) (Shinichi Osawa remix) The Young Punx - SugarCandySuperNova (Acid Girls remix) The Young Punx - Ready For The Fight (Phonat's Punkstep remix) The Young Punx - The Young Punx Theme
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Cat’s Meow [Recap]


“I’m on this little truth juice ‘cause my nerves is raging. Not to say you gotta hit the truth juice ‘cause you can’t handle the pressure — I’m good under pressure, I’m am like a beast, a monster under pressure — but I don’t want to fail. I wanna do good for my man DG [David Gutierrez, Vice President of Marketing for the Light Group at the Mirage] and the people of Vegas. … When my back’s against the wall, when a brother’s back against the wall, he will claw his way out. I’m telling you, he will make a paddle out of a toothpick in the ocean to make it to the land.” – (read more here)

And….as if the results of the evening weren’t clear enough for us during it’s participation, the after effects have sent a tremor of success! The Cat’s Meow was a HIT! To be continued..

felix da housecat the cats meow 25609 1315213314547 1057110044 30880798 7174567 n 300x225 Cats Meow [Recap]
Thank you DG!

&

Friday!

felix da housecat the cats meow 25609 1315210674481 1057110044 30880781 8179829 n 300x225 Cats Meow [Recap]

Bonus* Cat’s Meow intro

Felix Da Housecat - The Cat's Meow | More
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WMC 2010 Bomb Giggity

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Let the games begin!

Today marks the official kickoff for WMC with Malo’s Bomb Giggity at the heed! And at Bopper Nation we are HUGE supporters of many of the artist attending WMC this year, including our very own Felix Da Housecat. But right now we want to give love to Malo, who has been more than kind to us Boppers as well as our familia, Disco Villains!

Bomb Giggity
************************************************** ****
March 24th at the Lilly Leon Hotel!
15 hour event!
this party is invite & RSVP only
Please RSVP to bombgiggity@gigabeat.us “Subject RSVP BOMB GIGGITY”
WMC Badge Holders Free all day!
Broadcast all day and Night live on Techno FM
Hosted by: St Marc from Miami Techno City & Ms Easy
Live Video & Visuals by:
DarkIntersection

Lineup:
Disco Villans
Hot Mouth
LAZRtag
Jen Lasher
Breakdown
Viro & Rob Analyze
MALO
Pusher FM (Wizard Sleeve DJ Set)
Eartight
DJ Icon
Lunatik
Timoshii
St Marc
Jali
Milk Bros Live (Pill Popper Remix Contest Winners!)
Auditory Groove
Nadia Nitro
Onyx
Structure
BMV
INFECT
Sean Weeks
John Blais
Esteban DaPhunk
Gimme Samoa
Shock To The System
Irish Mike
Innate
Mondo

With More to come! & Suprise Guest Headliner~

Facebok Event Page:
http://www.facebook.com/#!/ical/event.php?eid=343705417166
View Map:
http://maps.google.com/maps?f=q&hl=e…mi+Beach%2C+FL
Please RSVP to bombgiggity@gigabeat.us “Subject RSVP BOMB GIGGITY”

-

And for all those who cannot make it out to the show enjoy these tracks!

Ludacris - How Low Can You Go (Malo's Trash Bag remix) Gucci Mane - Wasted (Malo's Tight Jean mix) Swediah House Mafia - Leave The World Behind (Malo WMC 2010 Refresh remix)

*Bonus

The Disco Villains - Chiquetere 2010 ReRub

**Bonus

The Disco Villains - We Just Came To Get the Party Started (Lazrtag remix)
WMC 2010 BOMB GIGGITY | More , , , , ,
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